Tkay Maidza: Last Year Was Weird, Vol. 2 | Review – Pitchfork

The line between what is alternative and what is mainstream becomes blurrier every day, which is good news for artists who dont occupy one space or another. Things have especially been opening up for Black women, who historically have had to contend with even narrower expectations from the music industry than other female artists. Its hard not to see this trend in the trajectory of Tkay Maidzas career. Initially signed to Universal Australia and moving among smaller labels tied to majors, the Ad…

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