Time for ‘dead white male’ artists to move over? – Sydney Morning Herald

Its a quiet but steady revolution that promises to sweep away the old biases that once bedevilled our art institutions. But because all revolutions require spectacular symbolic gestures, shows such as Know My Name are inevitable. The COVID-19 crisis has provided the perfect conditions for a massive survey of womens art, as it has become virtually impossible to organise the international blockbusters that draw crowds to the big galleries.
More than most art museums, the NGA is vitally dependent on…

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